Quiñones is one of the most influential artists to emerge from New York City’s graffiti movement of the 1970s. Quiñones’ LEE tag was unmissable in the city’s public realm, primarily through subway car murals he created with The Fabulous 5 crew. By the end of the 1970s, just as the nascent East Village art scene was emerging, Quiñones began to feel restless, as the artist stated “I felt I’d come to some kind of exhaustive end point…I wanted to create something above ground. I wanted to challenge myself.” In response, he painted a 25-by-50-foot mural on the wall of the handball court at his former junior high school in the lower east side. Titled The Lion’s Den (1980), it was the first static mural of its kind. Quiñones has stated that "It enabled me to practice my craft on a bigger scale on something that didn’t move away from you, like the subway.”
Quiñones began exhibiting in galleries shortly thereafter including solo exhibitions at White Columns and Barbara Gladstone in New York. For his debut solo exhibition with the gallery we will feature “tablets”, sections of drywall and wood paneling meticulously extracted from his studio walls. These tablets contain texts and marks that convey the subconscious of the artist’s studio. Also on view will be sketches for iconic works from the late 1970s, font studies that convey the versatility and inventiveness of the artists “tag”, and on the gallery facade a recreation of Quiñones’ The Lion’s Den.

Tablet #18, 2005-2018
Acrylic, spray paint, paint marker, ink and pencil on gypsum panel
26.5 × 20.5 inches

Lion's Den Mural
Spray paint on plywood panels
192 × 320 × 3 inches

Throw Ups, 1977-79
Alcohol marker, ink pen on folder stock
18 × 14.75 inches

The Mind Murderer, 1980
Alcohol marker and buffalo water pencil on folder cardstock
9.5 × 14.75 inches

Land Of Demons (Hell Express) Study #1, 1979
Alcohol marker and spray paint on yellow loose-leaf
15 × 11.5 inches