These Are Not My Horses
June 12—July 3, 2015
“…his sense of justice turned him into a brigand and a murderer.” – Michael Kohlhaas, Heinrich von Kleist, trans. Martin Greenberg
On a balmy morning on the 22nd of March, 1540, the horse dealer Hans Kohlhase was broken at the wheel in the center of the public square in Cölln (what is now modern day Berlin). Ten years earlier, Kohlhase, while traveling from Brandenburg to a fair in Leipzig, had his horses stolen by a Saxon nobleman. Kohlhase, a generally well-liked and reputable merchant, first attempted to reason with the noble, but found him unwilling to return his property. He mounted an unsuccessful lawsuit, and finally appealed to the local government, again in vain. In desperation, Kohlhase gathered together a small army of sympathetic citizens and inaugurated a vicious rebellion against the Saxon nobility. For six years, as peasants rioted in solidarity, he rampaged the countryside. Wittenburg burned to the ground. Neither the elector of Brandenburg nor even Martin Luther himself could do much to resolve the situation. Ultimately, surrendering himself to the authorities, Kohlhase was compensated for the illegal seizure of his property, and then summarily executed.
This exhibition gathers together the work of twelve artists. It contemplates the aesthetics of late medieval violence and its modern equivalents.
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Jakub Julian Ziolkowski
Galoty (Posters #1-4), 2010
Oil on canvas
4 panels, approximately 43.25 x 35.5 inches each
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Danh Vo
30.1.1861, 2009
Ink on paper
11 x 8.5 inches
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James Ensor
Exterminating Angel (L'Ange Exterminateur), 1889
Etching with drypoint on Japanese paper
7.75 x 11.125 inches
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David Douard
The Reason We No Longer S'speak, Slipper of snow, 2015
Fabric, wood, metal, foam, plastic, neon
45 ¼ x 36 ¼ x 20 ⅞ inches
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Joseph Geagan
Lucky Lushun, 2015
Pastel on paper
34 x 29 inches
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Joseph Geagan
Mrs. Gorgina, 2015
Pastel on paper
34 x 29 inches
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Andy Hope
1930, Absolute Machine, 2015
Acrylic, spraypaint, pigment on canvas paper
25.625 x 19.625 inches
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Andy Hope
1930, Absolute Machine, 2015
Acrylic, spraypaint, pigment on canvas paper
25.625 x 19.625 inches
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Andy Hope
1930, Absolute Machine, 2015
Acrylic, spraypaint, pigment on canvas paper
25.625 x 19.625 inches
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Rochelle Goldberg
the element of stain, 2015
Metallic glazed ceramic elements, carpet, chia seeds, crude oil
Dimensions variable
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Robert Bittenbender
Broadway Nights, 2015
Mixed media
Dimensions variable
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Jeffrey Joyal & Valerie Keane
Venus Flower Basket, 2015
Pewter, neon, steel, rope, polyolefin, rubber, natural glass sponge, electric transformer, hardware
Dimensions variable
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Win McCarthy, Sunday afternoon at 5CR, 2015
Metal cage, rocks with collage and lights on table, Dimensions variable
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Jeffrey Joyal
Statler Silenced, 2015
Oil clay, preserved hermit crabs, plastic
Dimensions variable
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Installation view, Theres Are Not My Horses, James Fuentes, 2015
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Installation view, Theres Are Not My Horses, James Fuentes, 2015
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Installation view, Theres Are Not My Horses, James Fuentes, 2015
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Installation view, Theres Are Not My Horses, James Fuentes, 2015
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Installation view, Theres Are Not My Horses, James Fuentes, 2015
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Installation view, Theres Are Not My Horses, James Fuentes, 2015
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Installation view, Theres Are Not My Horses, James Fuentes, 2015
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Installation view, Theres Are Not My Horses, James Fuentes, 2015
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Installation view, Theres Are Not My Horses, James Fuentes, 2015