The Unseen
John Ahearn, Lonnie Holley, Paul Laffoley, Sadie Laska, David Leggett, Chris Martin, Peter Nadin, Sol'Sax, Tschabalala Self, Lui Shtini, Fred Tomaselli
May 13—June 10, 2018
Installation view, The Unseen, James Fuentes, 2018
Paul Laffoley
The Fourth Living Creature, 1975,
Oil, acrylic, and hand-applied vinyl letters on canvas
68 × 48 inches
Fred Tomaselli
Joshua, 1992
Benadryl, acrylic, resin and wood
33 ¾ × 33 ¾ inches
Tschabalala Self
Elbow, 2018
Painted fabric, craft paper, acrylic, and flashe paint on canvas
84 × 72 inches
Tschabalala Self
Horse, 2018
Acrylic, gouache, flashe, and fabric on canvas
84 × 72 inches
Peter Nadin
Skull, 1989
Oil on canvas
Signed and dated on verso: 20 × 19 inches
Sol'Sax
A Free Can, A Merry Can Mojo covenant, 2012 - 2018
Black and Brown magic sculpt, food and drink cans, bottle caps, wire, red coral beads, cow horns, blood, feathers, batteries, molasses, honey
Two pieces, each approx.: 23 × 8 × 14 inches
Chris Martin
Groovy Bark Painting, 2017
Acrylic, gel medium, spray paint and collage on canvas
58 × 49 inches
Lui Shtini
Banding, 2018
Oil on Dibond
30 ½ × 27 inches
Lonnie Holley
TBC, 1997
Sandstone
23 × 20 × 15 inches
John Ahearn,
Rat Killers (detail), 1986,
Oil on fiberglass in two parts,
Left: 66 × 47 ½ × 47 ½ inches (167.64 × 120.65 × 120.65 cm),
Overall: 67 ½ × 103 × 47 ½ inches (171.45 × 261.62 × 120.65 cm)
Peter Nadin
Second Mark: The programer visit the museum 2pm Saturday afternoon, 2018,
Porcelain, fabric, paint, copper, steel, and acrylic
60 × 26 inches
John Ahearn,
Rat Killers (detail), 1986,
Oil on fiberglass in two parts,
67 ½ × 56 ½ × 47 ½ inches
Sadie Laska,
Paradise Lost, 2014,
beach towel, mirrors, woven placemat, oil, acrylic and spray paint,
40 × 34 inches (101.60 × 86.36 cm)
Lonnie Holley
TBC
Sandstone
11 × 7 ½ × 4 inches
Installation view, The Unseen, James Fuentes, 2018
Installation view, The Unseen, James Fuentes, 2018
Installation view, The Unseen, James Fuentes, 2018
Installation view, The Unseen, James Fuentes, 2018
Installation view, The Unseen, James Fuentes, 2018
Installation view, The Unseen, James Fuentes, 2018
Installation view, The Unseen, James Fuentes, 2018
Installation view, The Unseen, James Fuentes, 2018
Installation view, The Unseen, James Fuentes, 2018