Installation view, The Unseen, James Fuentes, 2018
Paul Laffoley The Fourth Living Creature, 1975, Oil, acrylic, and hand-applied vinyl letters on canvas 68 × 48 inches
Fred Tomaselli Joshua, 1992 Benadryl, acrylic, resin and wood 33 ¾ × 33 ¾ inches
Tschabalala Self Elbow, 2018 Painted fabric, craft paper, acrylic, and flashe paint on canvas 84 × 72 inches
Tschabalala Self Horse, 2018 Acrylic, gouache, flashe, and fabric on canvas 84 × 72 inches
Peter Nadin Skull, 1989 Oil on canvas Signed and dated on verso: 20 × 19 inches
Sol'Sax A Free Can, A Merry Can Mojo covenant, 2012 - 2018 Black and Brown magic sculpt, food and drink cans, bottle caps, wire, red coral beads, cow horns, blood, feathers, batteries, molasses, honey Two pieces, each approx.: 23 × 8 × 14 inches
Chris Martin Groovy Bark Painting, 2017 Acrylic, gel medium, spray paint and collage on canvas 58 × 49 inches
Lui Shtini Banding, 2018 Oil on Dibond 30 ½ × 27 inches
Lonnie Holley TBC, 1997 Sandstone 23 × 20 × 15 inches
John Ahearn, Rat Killers (detail), 1986, Oil on fiberglass in two parts, Left: 66 × 47 ½ × 47 ½ inches (167.64 × 120.65 × 120.65 cm), Overall: 67 ½ × 103 × 47 ½ inches (171.45 × 261.62 × 120.65 cm)
Peter Nadin Second Mark: The programer visit the museum 2pm Saturday afternoon, 2018, Porcelain, fabric, paint, copper, steel, and acrylic 60 × 26 inches
John Ahearn, Rat Killers (detail), 1986, Oil on fiberglass in two parts, 67 ½ × 56 ½ × 47 ½ inches
Sadie Laska, Paradise Lost, 2014, beach towel, mirrors, woven placemat, oil, acrylic and spray paint, 40 × 34 inches (101.60 × 86.36 cm)
Lonnie Holley TBC Sandstone 11 × 7 ½ × 4 inches