Exhibition
Swimming in Rivers of Glue (an exercise in counterintuitive empathy)
May 1–June 19, 2016
Stealing one’s own corpse (an alternative set of footholds for an ascent into the dark) Part 2 – Swimming in rivers of glue – The perspective of perspective. 2016, digital video projection, 9 minutes 57 seconds, dimensions variable
22V – PLACEMENT (JAPAN) There is no substitute for a man on the ground. 2016, plaster, dimensions variable
1V - PRODUCED (A point of reference slowly draws in semantic meaning to provide the world with a fixed border, fixed dimensions, fixed weight.) 2016, black paint and white adhesive vinyl on wall, dimensions variable
22V – PLACEMENT (GUANGZHOU) There is no substitute for a man on the ground. 2016, plaster, dimensions variable
32H – EXISTENCE Passing through, being marked and to some extent damaged by the geography of the present. 2016, plaster, foam, wood and latex, 21 x 73 x 30 inches
22V – PLACEMENT (JAPAN VARIATION) There is no substitute for a man on the ground. 2016, plaster, resin and coins, dimensions variable
5H – MEMORY A nostalgic trace of all that was and now is only partially. 2016, plastic bags, plaster, resin and coins, dimensions variable
37V – RELATIONSHIPS Expect to be changed a lot: a real interaction is more akin to demonic possession than to data collection. 2016, cord, 125 x 90 inches
19H – DAMAGING Attention! Danger! It’s a trick, an ambush! Fight! Bite! Parry! Thrust! Help!, 2016 cast glass, wood, latex, wax, 26 x 38 x 31 inches
22V – PLACEMENT (LONDON) There is no substitute for a man on the ground. 2016, plaster, dimensions variable
6V – RECOGNITION In the movement from a kind of knowledge to its refusal we see the real contours of things. 2016, glass, plaster, and found book wrapped in latex, 11 x 26 x 10 inches
6V – RECOGNITION In the movement from a kind of knowledge to its refusal we see the real contours of things., 2016, glass, plaster, and found book wrapped in latex, 10 x 43.5 x 10 inches
22V – PLACEMENT (LONDON VARIATION) There is no substitute for a man on the ground. 2016 plaster, dimensions variable
54H – SURVIVABILITY I had no idea of what I was supposed to want, but knew better than to admit it. 2016, black cold glaze on air cured clay, 23.5 x 19 x 2 inches
54H – SURVIVABILITY I had no idea of what I was supposed to want, but knew better than to admit it. 2016, black cold glaze on air cured clay, 23.5 x 19 x 2 inches
54H – SURVIVABILITY I had no idea of what I was supposed to want, but knew better than to admit it., 2016, black cold glaze on air cured clay, 19 x 23.5 x 2 inches
54H – SURVIVABILITY I had no idea of what I was supposed to want, but knew better than to admit it., 2016, black cold glaze on air cured clay, 19 x 23.5 x 2 inches
Artist
Julieta Aranda